Justin Goh casts dresses, collar shirts, shorts, and pants in expressive, animated positions that surprisingly have none of the ghostly or poignant quality that so often emanates from empty, worn clothing. Instead his hollow sculptures pulse, turn, and twist with the kind of liveliness that carries a dancer across space and compels the audience to follow every move attentively and with wonder. Its as if Goh is crediting clothing with having an inventive, creative life of its own, a secret life that can only be expressed when we clothing racksalso known as human beingsarent around to wear them down. Perhaps, in fact, the clothes do make the man, just not in the way weve always assumed.